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The ideas around this series are linked to the notion of ‘childhood’ being synonymous with innocence and goodness, a romantic and idealistic view created by the Victorians and one which we continue to aspire to, if not uphold, in our society today.
I was interested in creating an ambiguous atmosphere in which I could explore how the viewer reacts if they sense something is not quite right. Most of the paintings are of life-sized children who stand alone on a dark painted background. Some of the children have their eyes closed except for two, who stare back at the viewer with considered confidence.
The viewer is the witness and how they interpret the work is part of the work. As an artist I didn’t have the answers to the questions posed – why are the children out alone at night? Why are their eyes closed? I was interested in setting the scene and allowing the viewer to complete the story.
Untitled (Emily III), Oil on linen, 1500 x 1000 mm (2006)
Untitled (Ethan), Oil on linen, 1500 x 1000 mm (2006)
Untitled (JD), Oil on linen, 1980 x 810 mm (2005)
Untitled (Lauren), Oil on linen, 1980 x 810 mm (2005)
Untitled (Emily I), Oil on linen, 660 x 660mm (2005)
Untitled (Emily II), Oil on linen, 660 x 660mm (2005)
Untitled (Chloe I), oil on canvas, 1110 x 870 mm (2004)
Untitled (Child under the table), oil on canvas, 1500 x 1450mm (2004)